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Africa, UK, Ireland: Writing Politics and Knowledge Production, preliminary list


Preliminary List
AFRICA, UK, IRELAND: Writing Politics and Knowledge Production

Non fiction

EDUCATION AND RELIGION AS SOCIOLOGICAL TOOLS FOR SOCIAL AND NATIONAL DEVELOPMENT IN NIGERIA: Amali, I. O. O (Nigeria)
Kate Middleton and White Femininity: Excess Transgresses: Nica Cornell (South Africa)
EDUCATION AND VOCATIONAL REHABILITATIVE ASPIRATIONS OF STREET BEGGARS IN BAUCHI STATE, NIGERIA: Amali, I.O.O (Nigeria), Saleh S (Nigeria), and Amali S.E (Nigeria)
You have struck women! You have struck a rock! A South African Perspective on International Women’s Day: Lynnda Wardle (South Africa/UK)
IT TAKES A VILLAGE: EDITH OSIRO ADHIAMBO (Kenya)
Transcription of a Conversation: Andrea Mbarushimana (UK)

Fiction
One Man and His Axe: John Eppel (Zimbabwe)
Jo’burg: Valerie Southgate (South Africa/USA)
A MODERN RWANDAN FOLK TALE: Ashby McGowan (UK)
The Eyesore: Christopher Kudyahakudadirwe (Zimbabwe)
Life Can Make You Cry: Kiarie Nyambura (Kenya)
Haven Hunters: Yugo Gabriel Egboluche (Nigeria)
Beasts in the Farmstead: NURENI Ibrahim (Nigeria)
Law of the Seas: Bechaela Walker (UK)

Poetry
I'm honest: Asekho Toto (South Africa)
Let this world burn into ashes: Asekho Toto (South Africa)
Anagnorisis: Tomas Hildago (Spain)
Caballos en Möenchengladbach: Tomas Hildago (Spain)
Goree Place: Helen Harrison (UK)
Overspill: Helen Harrison (UK)
Bread and Butter: Helen Harrison (UK)
This is why the colonial sea does not glitter: Abigail George (South Africa)
WE LET THEM: Thamsanqa Wuna (Zimbabwe)
ASANTE SANA – (THANK YOU VERY MUCH): Thamsanqa Wuna (Zimbabwe)
(On the day) Robert Mugabe resigns: Abigail George (South Africa)
LET MY POEM SETS ME FREE: Adewusi Raodat Abimbola (Nigeria)
A Prophetic History: Diane Pacitti (UK)
SEASON OF CRIMSON DAGGERS: Adewusi Raodat Abimbola (Nigeria)
THE ILLOGICALITY OF THE ETHEREAL: Colin James (UK/USA)
CAPTURE OF A CONCEPTUALIST: Colin James (UK/USA)
SUNDAY LUNCH IN EXILE: Enesa Mahmić (Bosnia and Herzegovina/Ireland)
You: Gugulethu Radebe (South Africa)
Packages: Gugulethu Radebe (South Africa)
Desire: Gugulethu Radebe (South Africa)
THE WRITER: Enesa Mahmić (Bosnia and Herzegovina/Ireland)
MOTHER FREEDOM: Enesa Mahmić (Bosnia and Herzegovina/Ireland)
Year 2027: Oscar Gwiriri (Zimbabwe)
The President: Oscar Gwiriri (Zimbabwe)
Peaceful Country: Samuel Nyachiro Kegwaro
ETHNIC MISCONCEPTION: Hélder Simbad (Angola)
The Death Of My House: Samuel Nyachiro Kegwaro (Kenya)
AFRICA OF MY FEELINGS: Hélder Simbad (Angola)
LOST IN-BETWEEN: Ifeoluwa Ayandele (Nigeria)
breakfast with a hippopotamus: James Bell (UK/France)
migration: James Bell (UK/France)
The Land of a Thousand Hills: Matt Black (UK)
Good sports: Sinaso Mxakaza (South Africa)
The land of peace: Sinaso Mxakaza (South Africa)
Now we don’t know the world any other way: Sinaso Mxakaza (South Africa)
Hyena: James Bell (UK)
AT MY MOTHER’S FUNERAL: NURENI Ibrahim (Nigeria)
OGUN: NURENI Ibrahim (Nigeria)
For Geoffrey Philp: Rethabile Masilo (France/Lesotho)
Lovers: Rethabile Masilo (France/Lesotho)
Thoughts of home: Rethabile Masilo (France/Lesotho)
Voices from the ashes: Wilson Waison (Zimbabwe)
I have lived at a time: Tralone Lindiwe Khoza (South Africa)
Inkanyeziyami: Tralone Lindiwe Khoza (South Africa)
The Rhino of Hoxton Square: Troy Da Costa (Zimbabwe)
Harare: Troy Da Costa (Zimbabwe)
Footprints at Heathrow: Troy Da Costa (Zimbabwe)
AFRICA, MY STORY: Chido J. Ndoro (Zimbabwe)
Neighbourhood kids: Andrea Mbarushimana (UK)
The Human Animal: Andrea Mbarushimana (UK)
The African Markets: Tola Ijalusi (Nigeria)
Read Africa: Zongezile Matshoba (South Africa)
Pizza-ingAfrika: Zongezile Matshoba (South Africa)
THE PLEBEIANS: Nwoke Theophilus (Nigeria)
Libation of Blood: Adjei Agyei-Baah (Ghana)
So Long a Shortlist!: Kariuki wa Nyamu (Kenya)
An Epitaph for a dramatist-cum-politician: Kariuki wa Nyamu (Kenya)
IT’S COMPLICATED: Mzomuhle Mkhabela (Swaziland)
Surely, there’re two worlds…: Kariuki wa Nyamu(Kenya)
Basahyeade: Adjei Agyei-Baah (Ghana)
Pages of The Diary: Mandla Mvolwane (Zimbabwe)
Nostalgia: Beaton Galafa (Malawi/China)
Do not judge her...: Amanda Sewani (Zimbabwe)
MAKING OUR LOVE ETERNAL: Maria Menezes(Angola)
The Trick: Niall Hurley (South Africa)
Twisted: Niall Hurley 2018 (South Africa)
MIGRANTS: Maria Menezes (Angola)

Plays
Some Other Mother: AJ Taudevin (UK)
RAGE OF THE DEVILS (An extract): Tendai R Mwanaka (Zimbabwe)

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Africa, the UK and Ireland: Writing Politics and Knowledge Production * Finding Common Strands to Move Beyond Neocolonial and Post-Colonial Structures and Discourses, Volume 1 * After over 500 years of contact between Africa, the UK and Ireland, and as Africa and her erstwhile colonial master, the UK, continues forging for a more closer constructive engagement that’s beneficial to all, we decided to do an anthology of writings (essays (both scholarly and general), fiction, mixed genres, poetry and plays) that focuses on politics and knowledge production. We believe and feel strongly that (re)imagining and (re)writing on these would help both the UK, Ireland and Africa to find common strands to move beyond neocolonialism and postcolonial discourses and structures into the 21st century and beyond; as mutual, respectful and beneficial partners. We are open to any writing that delves directly or indirectly with these pertinent issues, in any of the genres noted, any topic, any style..
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